British-born and -based artists Tim Noble and Sue Webster skilfully skirt the boundaries between beauty and the shadowier aspects of humanity, playing with our perceptions as well as our notions of taste. Many of their most notable pieces are made from piles of rubbish, with light projected against them to create a shadow image entirely different to that seen when looking directly at the deliberately disguised pile.
Tim Noble and Sue Webster take ordinary things including rubbish, to make assemblages and then point light to create projected shadows which show a great likeness to something identifiable including self-portraits.The art of projection is symbolic of transformative art. The process of transformation, from discarded waste, scrap metal or even taxidermy creatures to a recognisable image, echoes the idea of 'perceptual psychology' a form of evaluation used for psychological patients. Noble and Webster are familiar with this process and how people evaluate abstract forms. Throughout their careers they have played with the idea of how humans perceive abstract images and define them with meaning. The results is surprising and powerful as it redefines how abstract forms can transform into figurative ones.
Their work derives much of its power from its fusion of opposites, form and anti-form, high culture and anti-culture, male and female, craft and rubbish, sex and violence.
The idea of looking into artists/ photographers such as Tim Noble and Sue Webster, helps show other examples of artists which have experimented with ideas that I am focusing on such as shadows. The ideas produce and work they create is very inspiration and can help triger my own ideas and work.
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